We dig the records and flip the chops. You add the drums and make it your beat. Preview everything free.
$0.99 your first month, then $9.99/mo. Cancel anytime.
Free
Preview every chop, no account
Tue + Fri
New drops every week
25/mo
Credits that roll over
WAV
Full quality, source info included
New chops land every Tuesday and Friday. Here's what just came in.
The digging and the flipping are done. When something grabs you, it's one credit away from your DAW.
Preview every chop without an account. Listen to everything before you commit.
One plan, 25 Chop Credits a month. They roll over while you're a member, so a quiet month is never wasted.
One credit gets you the WAV with its source info, and re-downloads are always free. Drop it in your DAW, add your drums, build your beat.
Most chops come from the same spots everyone already hit. We go somewhere else.
We pull from the parts of a record that get overlooked. The weird transition. The two seconds that hit different. The section nobody touched.
Then we chop it, reshape it, flip it. Sometimes we add our own instrumentation to push it somewhere it couldn't go alone.
You take it from there. Add your drums, build it out, make it your beat. Every download tells you where it came from, so if it takes off you're already prepared.
Your chop
Sampled:by
Source title and artist unlock with the download.

Benny The Butcher
Buffalo grimy rap legend

CJ Fly
Pro Era, Brooklyn bred

Dave East
Harlem storyteller

Fat Joe
Bronx icon, all the way up

Lloyd Banks
G-Unit, the hunger for more

Mary J. Blige
Queen of hip hop soul

Smoke DZA
Harlem, Rugby Thompson
...the craziest samples
Mike Wavvs
Jack Harlow · NBA Youngboy · Westside Gunn · Fivio Foreign
...heat! 🔥🔥🔥
Steel Sessions
Nipsey Hussle · Offset · Rick Ross · Jadakiss · Dave East
...one of the best at doing this
Tim Kelley
Boyz II Men · Bobby V · Destiny's Child · Tamia
“Already made 2 beats within the first 10 minutes of loading it up and I've only went in on the first two chops!”
ostubash
“Lots of samples with different feelings and textures, can be used straight out as a base for creating a beat or I have found it particularly useful for finding ear candy and textures to build on or add into other beats.”
LZ$
“Really helped me save so much time because I'm not having to wait to find the right chop. I was able to figure out multiple beats with such a flow state for real.”
LIFEOFTHOM
“Like a creative stimulus package every time it hits. Ranging from gritty to luxurious, perfect for your classic hip-hop cuts, but honestly works great with any sub genre that you can produce into a high quality work!”
Birthday
A drum break for members, refreshed every few days. Free to download while it's featured, no credit used.
Take a lookThe whole catalog on your Mac or PC. Downloads land in a folder you choose, ready to drag into your DAW.
See the appSame catalog either way. Yearly works out cheaper.
Then $9.99/month. Cancel anytime.
Save 33% on monthly. One payment, 12 months.
These are chops from real, uncleared records. Here's what that means for you, technically and in reality.
No. There are no producer royalties, publishing splits, or fees. You keep everything you earn.
Technically
Yes. Releasing music built on uncleared vinyl samples is technically an infringement of the original copyright holders' rights.
In reality
Almost no independent producers handle this themselves. Labels and artists deal with it if it ever becomes necessary. We've personally never had to clear a sample. In every real situation, we've either just released the music or, at most, provided sample info to the artist, label, or producer we are working with.
Yes, make beats, rap on them, add drums, don't add drums, chop, flip, arrange, whatever. Use them however your process works.
The one thing you can't do is repackage and resell the samples themselves.
The legal nuance only matters if a record moves into a bigger commercial situation. It has nothing to do with your creative process.
Technically
Samples should be cleared before distributing music commercially.
In reality
The independent music industry runs largely on uncleared samples, especially at the underground level. Songs with 500K to 1M+ streams regularly go untouched. The most common outcome when a rights holder does notice is that the track stays up but gets monetized by them instead of you. Actual takedowns are relatively rare.
We always recommend understanding the risks before releasing anything commercially. CHOP'D Audio provides samples for creative and production use. What you do with your finished music is your call.
Technically
You'd need licenses from both the master owner and the publishing owner of the original recording.
In reality
it depends on the situation. If you produced for an artist or label, it's their song and they handle it. Your role is just to be upfront that a sample was used and provide whatever source info you have.
If it's your own release, same process, but at that point you'd likely have a team or label involved anyway.
If you need help navigating it, reach out to us.
Typically, sync placements require fully cleared, licensable material. Sync supervisors are strict about this and usually won't touch anything with an uncleared sample regardless of how it sounds.
If sync is a serious goal, original compositions are the only clean path.
This question usually means one of two things:
Do you owe us anything? No. No royalties, no splits, no backend.
Are the underlying samples cleared? No. These are built from uncleared vinyl samples, so the compositions themselves are not copyright-free.
What you're getting is creative freedom and no obligations to us.
No. Understanding how clearance works is useful, but it shouldn't be your focus right now.
We've spent years releasing sampled music and have never personally cleared a sample. It has always been the label that decides if they want to release a song with a sample and if they want to clear it. The only time it ever comes up is when something is already working, and at that point, you won't be handling it alone.
Right now: make music, get better, build your sound. Clearance becomes a conversation when something is actually moving.
Not just a sample clip. A chop is a record that has been worked. Sliced, rearranged, and shaped into something you can build a beat on straight away. We do that work so you don't have to start from scratch.
Real records. Soul, funk, jazz, gospel, R&B, disco, rock, world. We dig into the parts most people skip past and pull out the moments worth flipping.
Each WAV download costs 1 Chop Credit. You get 25 per month with your subscription. They roll over for as long as you're a member, so a quiet month is never wasted.
Yes. Every chop is free to preview, no account needed. You only need a subscription to download the WAV.
Yes, they are yours. Re-downloads are always free and never cost a credit.
Yes. One download covers unlimited use across all your own productions.
Downloads pause until your next billing cycle. You can still preview everything and re-download anything you already have at no cost.
You keep access and can use your credits until the end of your billing period. After that, any unused credits are saved but can't be spent until you resubscribe, and they work again as soon as you do. Everything you've downloaded is yours to keep, and re-downloads stay free.
Full-quality WAV, typically 24-bit. No compressed formats, no watermarks.
Always. Every download includes the original song title, artist, and release info. When the time comes, you are already prepared.
Yes. Send beats to artists, upload to BeatStars, sell privately. That is exactly what they are for. CHOP'D does not take a cut, ask for credit, or collect anything beyond your subscription. If a beat makes it to an official commercial release, the source info is included with every download so you are prepared when that moment comes.
No. Pay your subscription, keep everything you earn. We do not take cuts, ask for credits, or collect royalties. Ever.